I promised my Tumblr followers a post on my latest exhibition, at Penny Fielding's, quite a few days ago, and so here, finally, is a photograph of Pip and I being smug in our sunglasses in the gallery garden.
And I did have at least one thing to be (slightly) smug about; one of my embroideries was displayed slap bang in the centre of the window! My Melancholyflowers were placed directly beneath a rather charming little crown, which I take as a sign of good fortune.
My other embroidery was ever so slightly more out of the way, but still very visible; over a doorway leading to an interesting little nook of the gallery/shop. I'm afraid these are the best photographs I could take of it; it seemed very far up from the point of view of my (brand spanking new, it's very exciting) smartphone!
Here's a better, close up photograph of the piece, entitled Plathitude:
Mine weren't the only textile pieces in the exhibition, or the only familiar ones; this exquisite machine embroidered quilt by Gilli Haqqani previously featured (alongside some of my work) at the Soft group show at The Mill last year.
This photograph doesn't do it justice, but this thought provoking painting by socially conscious artist Alke Schmidt. At first glance it seems obvious that the machinists are working in an Asian clothes sweatshops. But with closer inspection, more layers to the painting are discovered. The painting is overlaid with a textiles pattern, which I read in two ways; it is a traditional Asian design, or a cheap and cheerful design for the mass market. It seems to have seeped into the women's skin; they are unable to escape their cultural heritage, which now includes manufacturing cheap high street clothing for Westerners. Their face masks could be to protect them from their unhygienic working environment; it also reminds me of the hysteria, which seemed particularly concentrated in the East, following the outbreak of SARs and then bird flu, and the wearing of such masks, which I remember was common amongst Asian tourists at the time. Finally, the black mass of cloth waiting to be sewn to the right of the machinists is redolent of the drudgery of working in such a sweatshop, and the murky business practises of the multinational companies overseeing such work.
This whimsical piece put me in mind of sideshows at the carnival or circus; surely that cat shouldn't have wings?! The rough but realistic charcoal strokes give the drawing a naturalistic, endearing quality.
Similarly endearing was this piece; I couldn't decide if it was in pastels or some kind of print, but I do know that I love a good cup of tea, especially when it's served so beautifully!
I feel cruel for writing this, but this dreamlike piece by Two For Joy is very reminiscent of Rob Ryan's work. He certainly seems to have cornered the market in whimsical papercuts! This piece definitely has a charm all of its own, however; the detail on the wings/feathers is particularly gorgeous.
I assume this dramatic print is a linocut, a medium I am hoping to experiment with soon. If it is, it's certainly s masterful one; just look at the detail in that spider's abdomen.
This print of identical twins reminded me of a painting my best friend won a national art prize for when we were twelve, and it's just as sweet!
I love dioramas, but unfortunately couldn't get a better picture of this dinky little one inside an old lamp; it, too, was very sweet.
Much as I love Awesomestow, there are days when it seems a bit grey and gritty even for me! So this bright and cheerful treatment of the borough definitely put a smile on my face.
The exhibition is on until August the 25th. I urge you to get down there if you can. As well as all the wonderful art, there's plenty of beautiful homeware and jewellery on sale, and you're bound to bump into some interesting local characters!