A wind up rabbit, one of the first exhibits in the museum, is a relic of Vištica and Grubišić's relationship; I (voyeuristically) wish I knew the story behind this memento.
Each exhibit is accompanied by details of the length of the relationship it signifies, the place in which this relationship took place, and a text written about it by the contributor. These range from the heartbreaking to the unintentionally humorous; for example one of those all-too prevalent gift shop teddy bears holding an "I love you" heart is accompanied by the text "WHAT A LIE! LIES, DAMN LIES!"
Such a shame that I missed the exhibition when it was in London. The concept puts me in mind of memento mori, or shrines to the dead; the exhibits in The Museum of Broken Relationships, however, are shrines to relationships that have died; a testament to the ephemeral. Love can be the most mundane or extraordinary experience, or often both at once; all aspects of love are displayed in the museum for public consumption.
And who wouldn't get a voyeuristic kick out of reading texts on lost love fraught with emotion, akin to the angsty and/or wistful pages of a teenage diary? Through placing these objects alongside their stories The Museum of Broken Relationships elevates them from the mundane to the sacred. |
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