Thank you Lily for taking the time to answer my questions so thoughtfully. I can't wait to see how your next project unfolds.
How long have you been making art, and how did you get into it?
I started really realizing that I liked to make art two summers ago. I was more into collaging than anything else then. My mom is an artist, so there's always been creative energy around me. That's probably how I got into it, just thinking that it was a natural way of expressing yourself and spending hours away from everyone else just to finish this one project you're working on is completely normal.
In your “Other People’s Secrets” project, you juxtapose (or compliment) presumably anonymous confessions with delicate floral-based illustrations. How did you make the call for submissions for this project? Was it difficult going through with it at points on an emotional and empathetic level? (I’m thinking in particular of the confessions about suicidal thoughts and self harm). Is your use of “twee”, delicate imagery an attempt to soften the sometimes shocking confessions, to prettify them? A sort of metaphorical bandaid? It seems to me that the imagery itself, with its muted colours and natural themes “whispers”, just as secrets themselves are told. How did you decide on the imagery for each piece? Did you select a number of confessions to illustrate, or illustrate all the secrets you were told?
I actually started asking people to send me anonymous confessions one day because I had drawn all these pictures, and they needed words on them, and I thought this would be kind of a nice and therapeutic way for people to get something off their chests. It was definitely difficult going through some of the secrets because they really touched me emotionally, especially the ones about contemplating suicide and self harm. My imagery definitely softens the blow of these intense human emotions. You can feel this way but have a pretty outside, the flowers can still be blooming. Some of my pieces have dead flowers, which to me represents being defeated, the beautiful colors have faded and died. I didn't illustrate all of the secrets I was given, some of them were very difficult to put into drawing-form. Some were too personal, some not secrets at all.
Are the photographs you use as backgrounds for embroidery your own? Are they picked at random, or do they have significance for each piece? How did you come to embroidery, and what do you like about it as a medium?
Is there an element of art therapy to your practice? Is this something you have ever considered pursuing professionally? I say this ecause of the confessional, cathartic quality of your work, both in divulging other people’s secrets and your own, your use of inspirational and motivational quotations, and your gorgeous little hand drawn fortune tellers that come with sound and reassuring advice such as “Tell them you love them” and “Don’t be anxious”.
You touch gently on themes of mental illness in your work (and indeed, gentleness is what I think of when I look at your work, even when you use the word “fucking”). Is this something that particularly concerns you?
Mental illness concerns me to no end. About a year ago I was suffering from pretty severe depression, and I still get bouts of it from time to time. I have so many friends with mental illnesses that really affect their lives, and I think it's important to put these topics out in the open. I think it's important to connect with people on that level if they're needing help getting through something, anything. Flowers are the disguise to these pretty shitty feelings.
Do you have many creative projects on the go at the moment, or plans of creating more in the future? Would you be willing to share a few of those with us?
There is always a project I'm working on. Right now I'm focusing on making a book of famous poets and their houses, which should be up on Etsy and Tumblr in a day or two. I'm really excited about it. When I get an idea for a project that I'm really excited about, sometimes I can't sleep until I at least start it.